PDF Ebook 365 Days / 365 Plays, by Suzan-Lori Parks
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365 Days / 365 Plays, by Suzan-Lori Parks
PDF Ebook 365 Days / 365 Plays, by Suzan-Lori Parks
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About the Author
One of the contemporary American theater's most innovative wordsmiths. Her plays include: Topdog/Underdog (2002 Pulitzer Prize for Drama), In the Blood (2000 Pulitzer-nominee), Fucking A, Venus (OBIE Award), The America Play and Imperceptible Mutabilities in the Third Kingdom (OBIE Award, Best New American Play). She is also a screenwriter, novelist, and MacArthur "Genius" grantee.
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Product details
Paperback: 426 pages
Publisher: Theatre Communications Group; First Edition edition (November 29, 2006)
Language: English
ISBN-10: 1559362863
ISBN-13: 978-1559362863
Product Dimensions:
5.5 x 1.1 x 9 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#486,908 in Books (See Top 100 in Books)
We were required to use the book for a directing class, and while I appreciated the diversity of the short plays and the goal behind 365 plays, some were too much. As a learning tool, it was helpful in being imaginative and learning how to guide people through your directions, but I wouldn't personally seek it out.
Plays great, love reading one each day.
Fascinating works.
I loved reading these plays! Even in college I always preferred the absurd scripts, although the classics were required study and performance, whenever I had a chance I would go for the avant-garde. If you are imaginative and are very right-brained, I think you will enjoy this book.True, it is not the typical Samuel French or Dramatist's Play Service script, but if you are looking for that, you already know where to find it. Some of the plays have no dialogue and are only pedestrian action or even some nonsense. But if you are able to look deeper, there is a pervasive social commentary that is the through-line of the book. Good for reading on the train...5 Stars!
Listen up: Brilliant writer -- Mount Holyoke, MacArthur genius grant, Pulitzer Prize, she's da bomb, all right? -- lives with her cats and her blues-musician husband in Venice (that's L.A.'s Venice), wakes up on Nov. 13, 2002, decides it'd be a good idea to write a play every day for a year (no exceptions), and she's honing her craft but this is also the run-up to the war in Iraq so of course a lot of her one-page sketches bash Bush real; husband says "cool," next thing you know there are theaters doing weeks and months of her 365-play cycle all over the country. (Got it goin' on right now in Seattle.) But in the meantime, you can enjoy this book -- which has its bland patches, sure (I sympathize with whoever has to perform the September plays) -- but Suzan-Lori Parks didn't learn from James Baldwin how to write drama like *Topdog/Underdog* for nothin'. At their best, Parks' playlets are miniature lessons in how to write for the stage.Parks has her fixations -- Abraham Lincoln (he lives to age 89); arms that are frozen before the knife can kill; racial injustice; literalized metaphors (an actual Window of Opportunity that actually closes shut); stage directions that can never be enacted; playing possum; plutocracy ("The Presidents Day Sale"); warmonger dictators -- but it's interesting to watch her ring her themes' changes.Many plays are startling and compact, with topics like watching over a sleeping stranger as an image of compassion ("The 1st Constant"); spoofing Neil Simon ("Barefoot and Pregnant in the Park"); Bush murdering his own soldier and calling it "poignant" ("House to House"); mothers protecting and relinquishing their children ("Behind the Veil of the Goddess"); breaking the cycle of poverty and crime ("My Father Was a Famous Mother"); women and men always failing to get along ("Epic Bio-Pic," "Vase" and "Bear"); representing despair and its cure metaphorically ("Plenty"); and ridiculing sectarian war ("Everybody's Got an Aunt Jemimah").Some plays overlap; some plays interrupt others; and some of Suzan-Lori Parks' plays stretch people's minds out to infinity.
this is an innovative, intimate, lumen to a writers personal daily offering. Suzan-lori Parks has written a play a day for a year totaling over 365 works ( on some days she wrote more then one. Each play or playlet is of gem quality and despite their brief duration some less than a page, are nevertheless complete works. it is the distilled, no frills quality of these plays that bring the nectar sometimes sweet, sometimes bitter. well worth reading or performing as can be attested by the numerous actors and production companies now involved with the national premier of these plays. Over seven hundred theatre companies in 15 different cities have come on board for the production. A great addition to a library of classic, enduring work
Let's face it, most of these playlets are garbage. They would almost have to be. S. L.-P. is a talented and interesting playwright. Top Dog/Under Dog deserved the Pulitzer, but these are writing exercises and most of them should remain that way. Don't be fooled by the hype. Yes some of them are gems and those should be done--like the seven mentioned above but as a whole they are pedestrian and mind numbing.
I was fortunate to be part of the festival with my high school students and now own a signed copy after meeting Suzan-Lori at the opening night of the San Francisco festival. Our production was dramaturged by my students, who created a thematic sense of seven of the gems in this playbook, and performed brilliantly (still one of my crowning glories). She is a down to earth person and a talented writer with an important voice. These are wonderfully short pieces that have also been effective in my acting classroom.
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