Ebook Kill or Be Killed Volume 1, by Ed Brubaker
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Kill or Be Killed Volume 1, by Ed Brubaker
Ebook Kill or Be Killed Volume 1, by Ed Brubaker
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Review
LIBRARY JOURNAL (STARRED) -- This first volume in a new series by the acclaimed team of Brubaker and Phillips (The Fade Out), with colorist Breitweiser (Velvet), combines elements of crime fiction and horror both psychological and supernatural to present a look at vigilantism unlike anything else. Depressed college student Dylan attempts suicide only to be spared by a demon with the offer of a bargain-kill someone once a month or face death yourself. Dylan soon decides to start targeting criminals overlooked by the system and becomes strangely successful in his violent endeavors. His personal affairs improve, and it seems for the first time he's living the life he's always wanted-which is exactly when the repercussions of his actions start catching up to him. Brubaker's talent for plotting, dialog, and exploring the darkest corners of the human heart is wonderfully complemented by Phillips's skill at depicting both drama and larger-than-life violence. VERDICT Brubaker and Phillips are among the most dependable names in comics, and this new title will only further their reputation. Decidedly not for kids, but for everyone else, it's not to be missed.-TB
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Product details
Series: Kill or Be Killed
Paperback: 128 pages
Publisher: Image Comics (January 24, 2017)
Language: English
ISBN-10: 1534300287
ISBN-13: 978-1534300286
Product Dimensions:
6.4 x 0.5 x 10 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
66 customer reviews
Amazon Best Sellers Rank:
#47,170 in Books (See Top 100 in Books)
I love the art and I love the overall story. However, the writing is rough. Saying that going after drug dealers is "racist" is one of the most ridiculous things I've ever heard. So is the writer implying only certain races are drug dealers? There's too many forced political "messages" similar to the hurting drug dealers is racist" line of thinking that really hurt this. On top of that, dialogue sometimes comes off as an elementary kid who learned some swear words and decides to use them on the playground at school to look cool.I like the idea and the art enough to see this through, and who knows? Maybe the character is an idiot and not the writer. If so, that's fine. It can be hard to tell the difference.
Finally found what I'm looking for in a comic. The way this story is written makes you feel like it could actually happen (provided demons were real). Brubaker is really good at placing you in the head of the main character. I would recommend this to anyone who is into dark, gritty fantasies set in the modern world. The plot reminds me of the anime Deathnote, but with a more personal, noir flavor.
A dark, but intriguing story. I love the way its told. Like some guy you bumped into on a dark night, just starts laying out his grisly tale, almost rambling, but still managing to unfold a not quite believable tale. The way the narrator is inside his own head, constantly questioning himself, then slowly becoming comfortable with his newfound world he's struggling to navigate. I was immediately hooked. Absolutely love the artwork, the dark tones with bright pieces that draw the eye. Both the art and the story are excellent. I couldn't put it down. Read through it, then immediately ordered the second and third volumes. BUY IT!!
This graphic novel is unbelievable. Truly unbelievable. It is so good. I can't wait until volume 2. This protagonist is so compelling and sympathetic. My mind was blown in the middle of the volume. It was direct, disheartening but oh so real. Image comics have out done themselves and that isnafter reading Saga which is virtually a cartooned masterpiece.
Dylan's mundane-ness is so relatable. He's a grad student who's depressed because life sucks. Like it does for all of us. We yearn to have meaning and purpose and for everything to make sense but life is just a bunch of humans trying to figure things out. This book and this perspective feels so... Real. It's probably a cop-out to use that word but the descriptions of how he feels and how the world is is incredibly sharp.
The character is interesting, even if not sympathetic. I believe other reviewers have mentioned Catcher in the Rye and Deathnote. Less Deathnote and more Catcher, at least in this first volume. I won't rehash the plot, but I will touch briefly on the politics of the protagonist, since that too was mentioned by some reviewers (apparently causing lower review scores than otherwise would have been the case).The protagonist does have some leftist politics, and that is made quite clear in this volume. However, I didn't particularly take it as "preachy" as at least one other reviewer did. To the contrary, it almost seems like we're supposed to frown on the rather simplistic view Dylan has on the world. He's obviously well-educated, but in the way every college liberal arts major is. He knows how to view things through the prism he's been taught. He can reference major literary works and has a grasp on their themes, but it's an uppity sort of intelligence, which is why it hearkens back to Holden Caulfield.Like Caulfield, you get the sense that Dylan looks down on the world. Not only the world, but himself as well. He has enough self-awareness to be a nihilist, but doesn't seem able to push himself beyond it. He's a sad character, without being a sympathetic one. This makes him realistic to me, though tragic.Perhaps Brubaker meant to slam his own political ideology into readers through this work, but it's not the sense I get (I have no knowledge of Brubaker's political leanings). Rather, the political aspects of the narration deepen the character by making him much more realistic than he otherwise would be. He comes across quite genuinely as a young man in college just learning what it means to be a man. He knows a lot without knowing how to apply it, so we get anger and despair. We see a man struggling to understand the world and, when you learn his family history, and that of his "girlfriend," it's not hard to see why he is the way he is.Dylan isn't the liberal champion of the downtrodden like we see with Green Arrow. He's not meant to be a moral pillar on which we hang our hopes, and therefor his politics carry no weight. He lacks any of the rhetorical devices (such as pathos or logos) by which an audience would respect him enough to listen. To the contrary, he's not a respectable character. He's a tragic one, and he's incredibly well developed because of it.I don't know whether Brubaker means for us to like Dylan. I feel sorry for him, but he's not the sort of guy I see most people wanting to be around. He's depressing, snooty, selfish, preachy, and all too realistic. He is human, all too human.
I was not expecting this to go where it did! A hilarious, dark, and sympathizing look at a vigilante and the consequences of it.
I don't get it at all. I was expecting some sort of action adventure not a graphic story. It may be great for those fans of the genre but for me I had a hard time with the entire concept.
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