Ebook Free The Big Book of Painting Nature in Oil, by S. Allyn Schaeffer
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The Big Book of Painting Nature in Oil, by S. Allyn Schaeffer
Ebook Free The Big Book of Painting Nature in Oil, by S. Allyn Schaeffer
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About the Author
S. Allyn Schaeffer studied at the Art Students League and the National Academy of Design in New York. The author of Color, Composition and Light in the Landscape (Watson-Guptill), he is also a noted teacher and conducts workshops and demonstrations for Winsor & Newton. His artwork appears in many public and private collections. John Shaw is one of the world’s leading nature photographers. His work has appeared in such magazines as Audubon and National Wildlife, and in numerous books.
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Product details
Paperback: 400 pages
Publisher: Watson-Guptill; a edition (February 1, 1991)
Language: English
ISBN-10: 0823005038
ISBN-13: 978-0823005031
Product Dimensions:
8.2 x 0.8 x 11 inches
Shipping Weight: 2.7 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
38 customer reviews
Amazon Best Sellers Rank:
#306,481 in Books (See Top 100 in Books)
Contrary to some of the reviewers, I wouldn't say that the author is a bad artist. He certainly is painting in an impressionistic style, if you have a problem with that. But, I don't think he's a bad artist... I do, however, think he's an artist that was rushed and uninterested on many of the paintings he did for this book. I recognize the trait from personal experience: if I do not feel inspired by the painting I'm working on--so I'll either trash it or hurry through, becoming very sloppy as I do so. I suspect that this is what happened with the author on quite a few of the paintings within. Simply put, they are sloppy and hurried. But not all of them. Some of them are beautifully done. I suspect these are the scenes that captured the author's attention. It's a pity he didn't leave the rest out of the book.Having said all of that, I thing the photography is spectacular and I bought the book just for that--because I don't paint in oils all that often. I prefer gouache, casein, and watercolor. But I have used this book a lot for the photos (as reference) and to see how the author interpreted the photos to his work (when he wasn't being sloppy).I have the watercolor version of this book and I think it's quite a bit better artistically, but the photos and organization in both books are wonderful. I plan on getting the pastel version of the book as well--I don't use pastels much, but I suspect the books photos and artistic interpretations will be worth it for me.
"The Big Book Of Painting Nature In Oil" was created to bring everything one needs to paint nature in oil in one BIG book - 400 pages filled with 135 lessons in oil techniques for painting trees, skies, and water; 135 reference photographs; and 600 illustrations in full color, including 60 step-by-step demonstrations.The book brings everything one needs to paint nature in oil, beginning with the basics, the essential materials and techniques and an exploration of color and special effects that add excitement. 135 lessons follow with tips on painting trees, flowers, leaves, bark, and fruit, in all seasons of the year. Next, you will learn to paint all types of skies - quiet, dramatic, sun-filled, or stormy. And finally, you will explore painting water, everything from rivers, lakes, and the ocean to fog, mist, ice, and snow. Each lesson focuses on a specific problem.Since oil is an "incredibly" flexible medium, the authors' focus is on increasing the excitement and pleasure of painting nature in oil with many varied subjects for all types of painters.The photographs that are included are to assist in understanding how an artist translates what he/she sees into a painting. It is hoped that the artist will grasp how a scene was interpreted and discover new ways of composing paintings.I have the distinct pleasure of studying oil painting under renowned landscape artist Charles White. I have found "The Big Book Of Painting Nature In Oil" is an excellent alternative to solving specific problems when Charles is not around.
I'm basically a beginning oil painter however I'm an Architect and I've drawn and done colored presentations my whole life. I've painted with acrylics and water colors in the past so I have some reasonable sense of composition and technique within these mediums therefore I wasn't looking for a beginners book on oil painting as I knew I just needed to experiment a lot with oils to get the feel of the medium yet I needed some guidance on the immediate basics of techniques for oils versus the other mediums I just mentioned and how best to approach painting various subject matters.A friend turned me on to this book and I couldn't be happier. If you have any beginning experience with oils I HIGHLY recommend this book. I carry it with me wherever I go so that I can spend a few down moments picking up some more tips. If landscapes in particular are your thing then this books has it all. Mind you it's not an extremely in depth book on EXACTLY how to do everything as it leaves it up to you to connect the dots in your way. If you're painting from a photograph it teaches you how best to interpret the scene so that what is a photograph remains such and it gives you ideas, techniques and suggestions as to how to best exhibit this scene in oil and give it it's own spirit. If trees are giving you a problem then somewhere in this book you'll find a solution. If you're stuck on skies, water, foliage or anything that you would ever run into as regarding a landscape then I can almost assure you that you'll find something in this book to help guide you through your predicament. Trees in the snow? No problem they're in there. His teaching technique is general and loose yet it allows you to watch a master and learn how he might tackle the problem.Mind you this is not a follow along book as you'll need some beginning experience however if you're wanting to take the reigns and what you need is occasional guidance then this is a GREAT REFERENCE book. This book will not tie you down with step by step explanations on how to exactly do this or that and it therefore allows you your freedom yet if you occasionally need someone on your shoulder to get you out of this or that predicament then it'd buy this book. There is no exaggeration when he entitles it the BIG BOOK of.... as that it is.
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